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The innovative production was directed and designed by German theater artist Achim Freyer and conducted by James Conlon. The principal artists included Linda Watson, Vitalij Kowaljow, Michelle DeYoung, Plácido Domingo, John Treleaven, Graham Clark, Richard Paul Fink, Eric Halfvarson, Alan Held and Jennifer Wilson, among others. In 1956 the state government sponsored an international competition for a design that was to include a building with two halls—one primarily for concerts and other large musical and dance productions and the other for dramatic presentations and smaller musical events.
Where to See The Opera in Los Angeles
Subsequently, partly as a result of the cost of producing the Ring, the company requested an emergency $14 million loan from the board of supervisors due to reduced sponsorships and escalating costs. In January 2012, LA Opera repaid half of the loan, with the balance repaid in December 2012. The interior of the theater is an elegant five-story space draped in honey-toned onyx and features 78 crystal light fixtures including three stunning chandeliers each made with 24,000 individual pieces of hand-polished crystal from Munich. As a non profit organization, the LA Phil is supported by both ticket sales and donations, and it works to make an impact in the community, through learning and engagement programs, including YOLA (Youth Orchestra Los Angeles). Whether you're a seasoned aficionado or a newcomer to the world of opera, the City of Angels has something to captivate everyone. This article will guide you through the top places to experience opera in Los Angeles.
Design development and construction timeline
Each season, the LA Opera presents a diverse repertoire, from timeless classics to contemporary masterpieces, ensuring there's something for every taste. Several additional performances will be presented in other venues through the company's Off Grand and Connects initiatives. Theater work includes Frankenstein (Olivier and Knight of Illumination awards); Miss Saigon, From Here to Eternity (West End); and productions for the National Theatre, RSC, Old Vic, Royal Court and Barbican. He won a second Knight of Illumination Award for his design of Sigur Ros’ world tour and also designed their 2016 world tour. She has also presented solo recitals at the Kennedy Center in Washington, D.C., as well as in Philadelphia, Santa Fe, and Waterford (VA).
The Broad Stage
In a recent profile with Opera News, Meachem revealed that, in March 2020, he felt at loose ends. With debut performances of Rodrigo in Don Carlos at Dallas Opera indefinitely postponed, he and his wife, pianist Irina Meachem, arranged a live-streamed program from the Winspear Opera House. The concert, recorded on smartphones with just two other people in the room, amassed more than 25,000 views on Instagram and Facebook, setting the standard for digital performances over the pandemic. While theaters were dark, Meachem continued to perform on the physical and digital stage, singing his “signature role for good reason” (Opera News) as Figaro in San Francisco Opera’s The Barber of Seville for an innovative “drive-in” experience.
Discover the history and community of our iconic building, and learn more about the productions that take over our stages and inspire our audience. Our goal is to provide barrier-free access to the building and experiences on offer at Sydney Opera House. Explore a range of access services, performances and dedicated programs for people with disabilities. One of the world’s hottest young music acts, 22-year-old British singer-songwriter Arlo Parks captured the hearts of audiences and critics with her deeply personal, empathic brand of soulful bedroom pop, winning major music prizes, topping charts and garnering some high-profile fans – from Billie Eilish to Elton John – along the way.
Countertenor Anthony Roth Costanzo to become general director of Opera Philadelphia - New Haven Register
Countertenor Anthony Roth Costanzo to become general director of Opera Philadelphia.
Posted: Thu, 25 Apr 2024 16:08:01 GMT [source]
Operas & Tickets
Danish choreographer Signe Fabricius is well sought-after for her work within the fields of opera, musicals, theater and film. In opera, she has had engagements with Malmö Opera, Royal Opera House in London, Teatro Real in Madrid, Vienna State Opera, Finnish National Opera, and the Bregenz Festival. She frequently works at both the Royal Danish Theater and Royal Danish Opera in Copenhagen. Her first large scale maze work, Mirrormaze (Peckham, London 2016), explored perforated cinema and memory and identity through reflective labyrinthine geometries.
Future Islands - Live at Sydney Opera House (
He studied voice at Chapman University with Dr. Peter Atherton and since then he has been performing around the world. In the summer of 2022, he joined the Frank R. Brownell III Apprentice Program at Des Moines Metro Opera, where he sung the role of Theseus in A Midsummer Night’s Dream and covered the role of the Lawyer in Porgy and Bess. In the summer of 2023, he appears with Aspen Music Festival as the Voice of the Oracle (Neptune) in Idomeneo, also covering the role of General Benjamin in Jimmy Lopez's Bel Canto. He won an Encouragement Award in the Central Region Finals of the Eric and Dominque Laffont Competition in 2021, won first prize in the 2022 University of Cincinnati – CCM Corbett Opera Scholarship Competition and is a two-time semi-finalist (2021, 2022) of the Lotte Lenya Competition. He has also won awards from Classical Singer National Voice Competition and the Grand Junction Symphony Orchestra Young Artist Competition. An Atlanta native, Mr. Robinson is a graduate of The Citadel and received his musical training from the Boston University Opera Institute.
LA Opera announces 2023/24 season
Large scale productions include the London and Rio Olympic ceremonies and Super Bowl halftime shows with Dr. Dre, Kendrick Lamar and The Weeknd. She has created some of the most renowned stage sculptures in collaborations with Beyonce, The Weeknd, Kanye West, U2, Jay Z, Florence and the Machine, Imogen Heap, Petshop Boys, Miley Cyrus and Billie Eilish, seen by mass audiences in stadiums and arenas around the world. Peixin Chen is recognized for his majestically resonant bass voice and for a keen dramatic instinct that he brings to a wide range of roles on the international opera stage.
Breaking: Singer Anthony Roth is named head of Opera Philadelphia - Slippedisc - Slipped Disc
Breaking: Singer Anthony Roth is named head of Opera Philadelphia - Slippedisc.
Posted: Fri, 26 Apr 2024 10:16:49 GMT [source]
Other operatic highlights include Belcore in L’elisir d’amore, Baron Mirko Zeta in The Merry Widow, Giove in La Calisto, Kecal in The Bartered Bride, Simone in Gianni Schicchi, and Seneca in The Coronation of Poppea. He has also been seen performing selections of Bernstein and Mahler with the CCM Philharmonic, and was the bass soloist in Vaughan Williams’ Serenade to Music with the DePaul University Symphony Orchestra. He regularly appears at the Metropolitan Opera, where he is a graduate of the Lindemann Young Artist Program. He debuted there in a production of Fidelio and has since appeared as Sarastro in The Magic Flute (both in the original production and in the children’s English version), Ferrando in Il Trovatore, the King in Aida, and in roles in Nabucco, Tannhäuser, and the new productions of Les Troyens and Salome.
Additional highlights of his season include returning to the Chicago Symphony Orchestra to lead Mendelssohn’s Elijah, and conducting Wagner’s Lohengrin at Deutsche Oper Berlin. He also returns to Switzerland’s Bern Symphony, where he is Principal Guest Conductor, to lead three programs including Schubert and Beethoven symphonies, a celebratory New Years Day concert, and a season finale with Shostakovich’s Symphony No. 5. Since his debut that year with La Traviata, he has conducted 67 different operas and more than 455 performances to date with the company. San Francisco Opera began presenting productions in Los Angeles in 1937 and continued to do so every fall until 1969.[6] The NYCO brought productions to Los Angeles every fall from 1966 to 1982. In the 17th and 18th centuries, opera houses were often financed by rulers, nobles, and wealthy people who used patronage of the arts to endorse their political ambition and social position. There was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and the Opernhaus vorm Salztor in Naumburg in 1701.
Rachel Willis-Sørensen, one of the most acclaimed American sopranos of her generation, portrays the glamorous Violetta, whose time is quickly running out. Verdi master James Conlon conducts one of opera’s most enduring tragedies in a vibrant new-to-L.A. Production that shines the spotlight on Violetta’s tragic attempts to outrun her fate. Mexico’s most iconic artists leap off the canvas in this operatic tribute to one of the most pivotal romances in history, created by Grammy-winning composer Gabriela Lena Frank and Pulitzer Prize-winning playwright Nilo Cruz. When a desperate wish on Day of the Dead reunites the pair, Diego Rivera jumps at the chance to seek forgiveness from his deceased wife, Frida Kahlo. But she refuses to return to the world that caused her so much pain, until another departed soul inspires her to look back at the art (and man) she once loved.
It is a multipurpose performing arts facility whose largest venue, the 2,679-seat Concert Hall, is host to symphony concerts, choir performances, and popular music shows. Opera and dance performances, including ballet, take place in the Opera Theatre (renamed the Joan Sutherland Theatre in 2012 as a tribute to the celebrated Australian operatic soprano), which seats just over 1,500. There are also three theatres of different sizes and configurations for stage plays, film screenings, and smaller musical performances.
In 1947 the resident conductor of the Sydney Symphony Orchestra, Eugene Goossens, identified the need of Australia’s leading city for a musical facility that would be a home not only to the symphony orchestra but also to opera and chamber music groups. The New South Wales government, agreeing that the city should aspire to recognition as a world cultural capital, gave official approval and in 1954 convened an advisory group, the Opera House Committee, to choose a site. Last season he joined the Metropolitan Opera in productions of The Magic Flute and Boris Godunov, bowed as the King of Egypt in Aida for LA Opera and Cincinnati Opera, and appeared with his home company, Houston Grand Opera, as Timur in Turandot conducted by Principal Guest Conductor Eun Sun Kim. The bass’s concert scheduled included performances of Beethoven’s Symphony No. 9 with Rafael Payare and the San Diego Symphony and with Michael Stern leading the Kansas City Symphony Orchestra. Conlon opens his 18th season at LA Opera conducting Mozart’s Don Giovanni directed by Kasper Holten. He also conducts Verdi’s La Traviata—the first opera he led as Music Director of LA Opera—continuing his multi-season focus on the works of the great Italian composer.
Whether you prefer the grandeur of traditional opera houses or the intimacy of smaller, more experimental venues, there's a place for you to enjoy this timeless art form in LA. Each venue offers a unique experience, reflecting the city's eclectic and innovative spirit. So, next time you're in Los Angeles, immerse yourself in the world of opera and let the city's rich cultural offerings enchant you. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term opera house is often used as a term of prestige for any large performing arts center.
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